Educated in the taste for refined things, she has been dealing for some time with the representation of antiques and modern objects, of which is strongly passionate, and constantly participates in market exhibitions of objects, especially in Rome where he frequently goes mind. He is also a crazy cat lover.
The primary interest, which largely occupies the activity of Claudia Vincenzi, is to collect ancient objects.
The passionate, constant and insatiable research, makes her commute on exploratory journeys, transporting her to a time that, even if now lost, lives present in the places of own memory.
She often immerses herself in patient and meticulous rummaging among dusty wrecks, to find what, surprisingly, awakens particular and familiar nostalgic emotions in her: "Not by questioning that technological evolution has merits, in a society torn between the dissimulation of being and the ostentation of having, the objects that surround us become metaphors of power, wealth and fashion through which we can affirm who we are who we would like to be. Those of the past were instead objects from human face where I take refuge from a world that does not reflect me".
The best way in which Claudia enhances the intrinsic value of her objects, faded, opaque and shelved over time by new trends, it is the camera, with which it makes them protagonists again, and gives them back new look, in a personal and colorful interpretation.
The bright colors, rendered or transformed, elaborated with current computerized means, seem - not bring together and merge the continuity of contemporary language, which today as then, is expressed in a similar way, albeit under differentiated stylistic forms. In the current world, in which communication takes place in an ever faster, virtual and invisible way, on display are usable tangible images, in their calm ancient and new lively beauty, images of some objects, which for the generations who lived between the 1950s and up to today, they represented the common mass media, currently considered true "Cult" objects.
A synthetic but certainly suggestive and interesting emotional excursus that sees merging and/or comparing the common expressive languages, between those currently computerized, and the ancient subjects with a retro taste, both mirrors of creativity and ingenuity in the continuous social evolution of man.
Rita Carioti